Tag Archives: much ado about nothing

Evans and Peel, Much Ado About Nothing, Oddisee and long term confusion.

12 Mar

Photo 04-02-2017, 19 11 55

EAT: Evans and Peel Detective Agency has been on my London to-do list since… well, since about 6 years ago when I moved here actually. So, I suggested a speakeasy style bar and restaurant where you have to make up a fake case for a detective before you’re allowed in and my friend Jude didn’t need any further convincing to come.

We arrived and buzzed: by the time we got let in (they open at 5pm – had to call for a reservation, old school) there was another 4 pairs of people waiting for their 5pm appointment. So, after waiting for the guys ahead of us to finish their chat with the detective, we were let in.

So, the story we decided to go for (I say we, Jude had nothing to do with it although he did a good job at playing along and not being embarrassed by me) was that we wanted the Evans and Peel to investigate the suspected Ghost Brothel next door to my flat. I was pleased to see a genuine look of confusion on the woman’s face when I presented this, but she played along well – asking how we knew they were ghosts and/or prostitutes, had we heard any noises coming from next door? Etc. When the play acting was finished (it lasts about 3 minutes) our case was taken and a bookshelf swings open to reveal a dimly lit, prohibition-era bar. In we went.


Jude and I went all out – cocktails, beers, mains, dessert. Mainly because the atmosphere of the place was wicked – fantastic music (instrumental of course and perfectly in keeping with the prohibition style of the bar) and we basically just wanted to hang around for as long as possible! The menus are delivered to our table by a server, in plain brown envelopes (but the fancy kind which you have to loop string around in order to close them) and you’re also kitted out with the likes of a magnifying glass too.

Photo 04-02-2017, 18 02 41

For mains, we went for burgers. The menu is a little limited – but not bad at all (see above) – and standard London prices. We also had a couple of beers to see us through too – again, limited selection, but a GOOD selection, which is the key thing. The burger was good. The way it’s cooked (on an old fashion grill or something) means you can only have it medium well done. It actually comes out medium which I wasn’t loving, but I ignored as most people like their burgers this way and it was still a tasty burger. Chips were solid too, as were the sauces; nowt ground-breaking (Patty and Bun have nothing to worry about) but you do get bacon and cheese with it, as well as coleslaw. All in all, a good burger.


Where Evans and Peel really shines is the spirits. The cocktails are pricy (£7-£15) but worth splashing out for just once. I went for a fruity one (passion fruit, egg white, rum) and Jude selected a Bourbon from their EXTENSIVE whiskey and bourbon list. They have stuff on there which is £25 a shot (seriously), so make sure you grab the magnifying glass and have a look!

Photo 04-02-2017, 18 44 08

When I said we went all out, I meant it. I also opted for dessert (as did Jude) and we both went for the ice cream cookie sandwich – blueberry ice cream with jam sandwiched in between two chocolate chip cookies. SO GOOD. I warned Jude not to try and bite the bloody thing because it would go everywhere… which it totally did. Tip: eat one of the cookies first and then you can bite your way through. Super simple, really yummy.

Photo 04-02-2017, 19 09 56

Basically; I loved Evans and Peel. It’s a KILLER date venue –  a little bit different, off the beaten track and the vibe is perfect for some romancing. It’s also a great place to catch up with friends. What it’s not is a place to ‘go out out’ for pre-drinks. Just sayin’. Seriously – go. It’s a place you’ve got to try while in London; I’m gutted it took me so long to get down there!

SEE: My favourite Shakespeare play is Much Ado About Nothing. I’ve seen it performed countless times, abroad, in London, in Stratford. And the latest production, currently showing at Theatre Royal is a really strong production. I should know… did I mention it’s my favourite Shakespeare play and I’ve seen it countless times? Yup? Cool.

dsj
The setting is Autumn 1919, with the soldiers (Benedict and Claudio) returning from the war. The staging is simple – all the action takes place in a few different sets and, I admit, it got off to a slightly slow start. Benedict was fantastic the whole way through though; the scene where he overhears that Beatrice loves him was fantastically funny and I think the actor carried Beatrice a little bit at times, to be honest.

That’s not to say Beatrice wasn’t good, but the comic timing just wasn’t there at some points. The actor totally nailed the ‘give a shit’ disposition of Beatrice, but the scene where she overhears that Benedict loves her was lukewarm, with all the actors not really going as all-out as the male cast members had done.

For £10 however (which is how much I got my ticket for) it was a fantastic production and I can’t recommend it enough. Go!

LISTEN: I went to see Oddisee at the Islington Assembly Hall last weekend. I’ve seen him before, a few years back at the Jazz Café, but this time he was playing to a significantly bigger crowd, with a live band and a kick-ass new album.

If you haven’t heard of Oddisee, how can I describe him? He’s for people who want Drake to rap about something meaningful and put some thought into his music. BURN. But seriously; Oddisee blends hip hop, soul, funk and thrown in a hint of pop on a track here or there.

His latest album, The Iceberg is fantastic. Stand out tracks include Hold It Back, in which challenges inequality between women and men in the workplace, which refers to the current political climate; “We gon’ push the demons deeper in the closet, It ain’t no secret they just seeping out regardless, We’re keeping logic hostage”. Another of my favourite tracks is You Grew Up, which tells the story of Oddisee’s childhood friend. His (the father’s) friend loses his job, blames ‘immigrants’ like Oddisee’s father for it and their friendship has to end. Forward a good few years and we learn that his childhood friend is another white cop guilty of killing an innocent black man. There’s some ACTUAL shit going on in this album, but it’s thoughtful. It hasn’t been thrown together in anger; Oddisee is interrogating the situation with his lyrics and putting them against a blend of funk, soul, hip hop music, all played by an actual band rather than a Drake 808.

Cannot recommend the album enough. And if you love The Iceberg and Oddisee, check out the rest of his tracks on Spotify. I have a soft spot for ‘Miami’ – an instrumental off his album Travelling Man. For now, I’m going to leave you with a recent track: Like Really.

LOVE: So, I’ve been on a few dates with a few people over the last couple of months. And something wasn’t sitting right with any of them. That was, until the last guy I dated – then boom. It hit me.

The guys I meet online and usually on Tinder (so you can never tell if they’re looking for anything serious, but they’re usually not). Or, they’re on OK Cupid and they’ve listed ‘Long term relationship’, ‘Short term relationship’, ‘New Friends’ and ‘Casual Sex’ in their ‘Looking For section to make sure all bases are covered. Which is fine.

But now, I’m filtering out the guys who include ‘Casual Sex’ and ‘Short term relationships’. Because I’ve realised I want something a little more significant than that. I only realised this when I was sat with a perfectly nice, attractive, intelligent guy on a date, but who I know has just got out a relationship and isn’t looking for anything serious.

444444

Which is fine. But when I left the date, I realise I just want someone I can rely on to do stuff with. Hence why I’m not removing ‘New Friends’ from my OK Cupid searches – I want someone who will go to gigs with me. While I vent about my day to. Who wants to explore new restaurants in London. And I either need them to do this as friends or as someone I’m in a more long-term relationship with, because that’s the only way you can totally be yourself, right? If you’re dating someone short term JESUS it’s exhausting. The conversation, having to rock up looking great, having to always plan ahead in terms of what you’re doing. Second guessing the way they respond to you or touch you. Take all that crap out of the equation and I want a friend with time for me to explore London or I need to get past all that stressful dating stuff and just be comfortable.

leslie-knope

So, all this dawned on me. And I turned the last perfectly nice, intelligent, attractive guy I went on a date with down when he asked for a second date because ‘we want different things’. At least he knows his thing is sex. Mine? As you can tell from my rambling, I guess I’m still not 100% sure. Ho hum.

Much Ado about… Nothing, Byron, The Weeknd and playing Cupid

20 Sep

EAT: Everyone under the sun has done a review about Byron, except me. This is because I don’t think it really warrants my time, as there’s not a huge amount I can say that hasn’t been said before.

photo 1

Well… maybe there is. What has been said before is, usually, lavish praise of their burgers. Someone needs to actually say, bluntly, their burgers aren’t anything special. They’re… well… ‘nice’. The chicken isn’t tough but it’s not succulent. The brioche buns I buy from ASDA are tastier than the ones they use and the salad and sauce which accompany the burger tastes good, but not as good as most other places I have reviewed. I do like their courgette fries – but I think that’s simply because not THAT many other places do courgette fries. Once they do, I’m sure they’ll be beaten and Byron’s offering will, once again, be simply ‘nice’ (until then, DO go and try them, very yummy and you can pretend they’re really healthy too….)

photo 2

If you need a quick bite that’s available in numerous places across London, then sure. Go to Byron. However, if you’re able to travel somewhere specific and you want to still spend less than a tenner on a burger, then there are a huge number of other places in London which do far better (Patty and Bun or Lucky Chip at Sliders Bar for example). Basic summary for Byron: not bad, but you can get far better for your money if you hunt a little harder.

SEE: Much Ado about Nothing is my favourite Shakespeare play. It’s witty, dramatic with in-fighting, true love, true hate and more. The older I get the more I become like Beatrice, the female protagonist.

_70017277_muchado-2

So, when I caught wind of the fact The Old Vic has seats going for £11 to see Much Ado (directed by Mark Rylance), I snapped them up. More importantly, I snapped them up because the cast list is incredible, and interesting, to say the least. Vanessa Redgrave plays Beatrice and her amazing stage and screen experience and talent has seen her proclaimed by Arthur Miller and Tennessee Williams to be “the greatest living actress of our times”. James Earl Jones plays Benedick (the male protagonist) – another incredible actor with more experience than any actor could possibly hope for.

With Redgrave now aged 76 and Jones at a not-so-sprightly 82 years old, obviously their age has been a big topic of conversation. Can a play with such passion, dramatic scenes and a love story be successfully portrayed by older actors? With the vast majority of the audience being younger than the two leads, can the audience identify with Redgrave and Jones playing out Beatrice and Benedick’s love story?

It pains me to say, with two such wonderful actors in the spotlight, that the answer is no. Their stage presence is severely affected by their age (well, Redgrave fares significantly better than Jones to be fair). When Benedick confronts Claudio, the dramatic nature of the scene simply cannot be communicated because Jones can’t move around the stage quickly or project his voice forcefully. Redgrave has more of a spring in her step, and Beatrice’s witty remarks are delivered more clearly and sharply than Jones delivers Benedick’s quips. However, it is a sad fact that when a play requires movement (dancing, confrontation, sneaking around) that age is obviously going to affect the performance. It didn’t help that Jones forgot his lines towards the end (bless him, the fact he’s 86 years old and able to remember even half the play is outstanding, but if you’re on stage you have to totally nail it).

The set is, essentially, a brown structure which never changes and isn’t used particularly cleverly throughout the play. Much Ado is a play full of life and drama, humour and romance, and a stark brown stage does nothing to bring this to life. The play is set in Britain at the end of world War II, but this is no excuse for the odd set.

Rylance’s obviously had a lot to take into consideration when staging the play with regards to the seniority of the two leads, but far more could have been done to give the play the sparkle it deserves.  The most hilarious parts of the play raised no more than a chuckle from me because the scenes felt… well, lifeless. When Benedict overhears Don Pedro declaring how in love Beatrice is with him, in other products I have been laughing so hard I was on the verge of tears (the RSC version featuring Tazmin Greig back in 2006 has me in stitches). However, this time around the physical humour from Benedick sneaking around is missing and Benedick’s rationalisation for suddenly admitting his love for Beatrice doesn’t invoke the laughs it should. The final line in the scene “When I said I’d die a bachelor, I just had no idea I’d live this long” falls flat and lacks the gusto that the character of Benedick needs.

Dogberry (played by Peter Wright) delivers most of the laughs, but it is not enough to make up for underwhelming lack of comedy throughout the rest of the play. Other supporting actors fare ok, but there are few stand-out moments and certainly no stand-out performances: none of the support actors deserve any special mention really. The talent that Vanessa Redgrave and James Earl Jones possess is not under question: their ability to perform as Beatrice and Benedick due to their seniority, however, is.

LISTEN: The Weeknd is back with Kiss Land, his first full-length album, released on a major label. So how has the shift from independence to label changed The Weeknd? Well, his previous EPs were a little more varied – songs like Loft Music, Birds Part I and The Party After the After Party, to me, all sounds very different. Sure, they’re stamped with The Weeknd’s signature smooth vocals, sexual content and alternative, dark R&B sound, but he’s trying something different with each and everyone one of them.

All the tracks on Kiss Land are similar – this isn’t necessarily a bad thing: it seems Abel Tefsaye has found what he likes and he’s sticking to it. The vocals, sexual tension and Drake-esque dark, rhythmic music are all present, so he’s doing what he did best. The tracks are all good, but one is better than the others and that’s Belong to the World. My favourite tracks by The Weeknd are driving and pulsing, full of sexual tension (Loft Music) or edgy and dark, with plenty of atmosphere (Montreal for example) and Belong to the World ticks both of those boxes. Give it a listen.

LOVE: As I’ve previously said, Much Ado About Nothing is one of my favourite plays, simply due to the dynamic and hilarity that ensues between Beatrice and Benedick. But what always fascinates me about the play is that it picked up on something so common in human nature: tell someone a person likes them and you plant the seed. You suddenly start thinking about them. You’re SO aware of them when they’re nearby. This can sometimes build to you anticipating seeing them and before you know it, there they are, at the forefront of your mind. Simply because someone told you they had a thing for you.

image.w174h200f3

Now, in part this may be because everyone plays it so coy, you need a third party to let you know when someone actually likes you. Fair enough. But the point I am making is when you never thought about a person to start with: why is it once you know they’re interested do you suddenly become interest too? Is it because you’re desperate, just looking for anyone who’ll say yes? Is it because you never considered them before – perhaps you subconsciously thought they were out of your league?

Personally I think it’s because your eyes are opened to someone who, for some reason or another, was never on your radar before. Once they’re on your radar, you take the time to learn about them. Talk to them. Look at them. And, hey presto, you find out that they’re a nice person which makes them attractive to you. It’s certainly happened to me before. A guy I’d never given a second thought to who, who lives with a friend of mine, apparently told her he thought I was hot. Once she’d told me this, I actually spent time talking to him and noticing him. Turns out, he’s quite attractive and a cool, nice guy (well, ok, I ended up hooking up with him a  few times, it was hardly an epic romance, but I would never have known that if she hadn’t have prompted me to find out more. Score.


Thing is, I really want to try out the Much Ado about Nothing ‘effect’. I want to get two people I know, who are vaguely in the same friendship circle, and tell each of them the other likes them. I guarantee, in many cases, something sparks. It may just be a friendship, casual sex, a relationship… but a wheel of some sort will set in motion. Obviously they both need to be single and roughly in each others league, goes without saying, I can’t work total magic after all.

Anyway – if you’ve ever done this, or if this has happened to you, let me know!